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And That's a Wrap
Sun May 30, 2010 12:18 am by Kami
This website is now officially closed. All topics must be finished, and all character must register on the New Website All ranking exams will be finished and ranked by a seperate proctor, and all money will be reset to $200 for everyone in order to make way for the new currency system, coming soon.

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Your Site-Moving Questions, Answered~!
Wed May 26, 2010 3:12 pm by Kami
We've been getting a good amount of questions regarding the move and the time skip that the move will created for all characters. So here are a few general questions, along with their answers, and of course feel free to post any more concerns you have here.


Q: What abilities or weapons will we be able to add or expand on?
A: Not a whole lot, honestly. I'd say a few improvements on what you already have, but not by a lot, as well as maybe one or two new techniques. Let's not do a major overhaul, because that would then disrupt your rank, which will not change in the move. As for weapons, …

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 Henryk Górecki

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PostSubject: Henryk Górecki   Sat Feb 12, 2011 12:10 am

Henryk Mikołaj Górecki (Polish pronunciation: [ˈxɛnrɨk mʲiˈkɔwaj ɡuˈrɛtski]) (December 6, 1933 – November 12, 2010)[1][2] was a composer of contemporary classical music. He studied at the State Higher School of Music in Katowice between 1955 and 1960. In 1968, he joined the faculty and rose to provost before resigning in 1979. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.[3][4] His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and drew influence from Luigi Nono, Karlheinz Stockhausen,[5] Krzysztof Penderecki and Kazimierz Serocki.[6] He continued in this direction throughout the 1960s, but by the mid 1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 and the hugely popular Symphony No. 3 (Symphony of Sorrowful Songs). This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir,[7] to the choral 1981 hymn Miserere, the 1993 Kleines Requiem für eine Polka[8] and his requiem Good Night.[9]
Until 1992, Górecki was viewed as a remote and fiery figure[10] known only to a few connoisseurs, primarily as one of a number of composers responsible for sparking a postwar renaissance in Polish music.[11] In 1992, 15 years after it was composed, a recording of his Third Symphony, Symphony of Sorrowful Songs—recorded with soprano Dawn Upshaw and released to commemorate the memory of those lost during the Holocaust—became a worldwide commercial and critical success,


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